Velvet Underground Album

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart
Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart
Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now plead for me
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart

Standin' on a corner
Suitcase in my hand
Jack's in his corset, Jane is in her vest
and me I'm in a rock 'n' roll band. Huh.
Riding a Stutz Bear Cat, Jim
ya know, those were different times
all the poets studied rules of verse
and those ladies they rolled their eyes
Sweet Jane
Sweet Jane
Sweet Jane
Now Jack, he is a banker
and Jane, she's a clerk
and both of them save their monies
when they get home from work
sittin downby the fire
Ooo, the radio does play
the classical music there, Jim
The March of the Wooden Soldiers
All you protest kids
you can hear Jack say
LyricsSweet Jane
Sweet Jane
Sweet Jane
Some people they like to go out dancin
and other people they have to work. Just watch me now
and there's even some evil mothers
Well there gonna tell you that everthing is just dirt
you know that women never really faint
and that villians always blink their eyes
that children are the only ones who blush
and that life is just to die
But anyone who ever had a heart
they wouldn't turn around and break it
and anyone who ever played a part
They wouldn't turn around and hate it
Sweet Jane, Sweet Sweet Jane

1-2-3
If you close the door, the night could last forever
Keep the sunshine out and say hello to never
All the people are dancing and they're havin such fun
I wish it could happen to me
But if you close the door, I'd never have to see the day again.

If you close the door, the night could last forever,
Leave the wineglass out and drink a toast to never
Oh, someday I know someone will look into my eyes
And say hello -- you're my very special one--
But if you close the door, I'd never have to see the day again.

Dark cloudy bars
Shiny Cadillac cars
And the people on subways and trains
Looking gray in the rain as they stand disarrayed
All the people look well in the dark
And if you close the door, the night could last forever.
Leave the sunshine out and say hello to never
All the people are dancing and they're having such fun
I wish it could happen to me
'Cause if you close the door, I'd never have to see the day again.
I'd never have to see the day again.
(once more)
I'd never have to see the day again.

And what costume shall the poor girl wear
To all tomorrow's parties
A hand-me-down dress from who knows where
To all tomorrow's parties
And where will she go and what shall she do
When midnight comes around
She'll turn once more to Sunday's clown
And cry behind the door
And what costume shall the poor girl wear
To all tomorrow's parties
Why silks and linens of yesterday's gowns
To all tomorrow's parties
And what will she do with Thursday's rags When Monday comes around
She'll turn once more to Sunday's clown
And cry behind the door
And what costume shall the poor girl wear
To all tomorrow's parties
For Thursday's child is Sunday's clown
For whom none will go mourning
A blackened shroud, a hand-me-down gown
Of rags and silks, a costume
Fit for one who sits and cries
For all tomorrow's parties

Some kinds of love
Marguerita told Tom
Between thought and expression lies a lifetime
Situations arise because of the weather
and no kinds of love
are better than others

Some kinds of love
Margueirta told Tom
like a dirty French novel
the absured courts the vulgar
and some kinds of love
the possibilites are endless
and for me to miss one
would seem to be groundless

I head what you said
Margueritat told Tom
And of course you're a bore
But at that you're not charmless
for a bore is a straight line
Lyricsthat finds a wealth in division
and some kinds of love
are mistaken for vision

Put jelly on your shoulder
Let us do what you fear most
That from which you recoil
but which still makes your eyes moist

Put jelly on your shoulder
lie down upon the carpet
between thought and expression
let us now kiss the culprit

I don't know just what it's all about
Put on your red pajamas and find out.

Waldo Jeffers had reached his limit.
It was now mid-August which meant that he had been separated from Marsha for more than two months.
Two months, and all he had to show were three dog-eared letters and two very expensive long-distance phone calls.
True, when school had ended and she'd returned to Wisconsin and he to Locust, Pennsylvania she had sworn to maintain a certain fidelity.
She would date occasionally, but merely as amusement.
She would remain faithful. But lately Waldo had begun to worry.
He had trouble sleeping at night and when he did, he had horrible dreams.
He lay awake at night, tossing and turning underneath his printed quilt protector, tears welling in his eyes,
As he pictured Marsha, her sworn vows overcome by liquor and the smooth soothings of some Neanderthal,
Finally submitting to the final caresses of sexual oblivion. It was more than the human mind could bear.

Visions of Marsha's faithlessness haunted him.
Daytime fantasies of sexual abandon permeated his thoughts.
And the thing was, they wouldn't understand who she really was.
He, Waldo, alone, understood this.
He had intuitively grasped every nook and cranny of her psyche.
He had made her smile, and she needed him, and he wasn't there. (Awww.)
The idea came to him on the Thursday before the Mummers Parade was scheduled to appear.
He had just finished mowing and edging the Edelsons lawn for a dollar-fifty
And had checked the mailbox to see if there was at least a word from Marsha.
There was nothing more than a circular form the Amalgamated Aluminum Company of America inquiring into his awning needs.
LyricsAt least they cared enough to write.

It was a New York company. You could go anywhere in
the mails. Then it struck him: he didn't have enough
money to go to Wisconsin in the accepted fashion,
true, but why not mail himself? It was absurdly
simple. He would ship himself parcel post special
delivery. The next day Waldo went to the supermarket
to purchase the necessary equipment. He bought
masking tape, a staple gun and a medium sized
cardboard box, just right for a person of his build.
He judged that with a minimum of jostling he could
ride quite comfortably. A few airholes, some water, a
selection of midnight snacks, and it would probably be
as good as going tourist.

By Friday afternoon, Waldo was set. He was thoroughly
packed and the post office had agreed to pick him up
at three o'clock. He'd marked the package "FRAGILE"
and as he sat curled up inside, resting in the foam
rubber cushioning he'd thoughtfully included, he tried
to picture the look of awe and happiness on Marsha's
face as she opened the door, saw the package, tipped
the deliverer, and then opened it to see her Waldo
finally there in person. She would kiss him, and then
maybe they could see a movie. If he'd only thought of
this before. Suddenly rough hands gripped his package
and he felt himself borne up. He landed with a thud
in a truck and then he was off.

Marsha Bronson had just finished setting her hair. It
had been a very rough weekend. She had to remember
not to drink like that. Bill had been nice about it
though. After it was over he'd said that he still
respected her and, after all, it was certainly the way
of nature and even though no, he didn't love her, he
did feel an affection for her. And after all, they
were grown adults. Oh, what Bill could teach Waldo --
but that seemed many years ago. Sheila Klein, her
very, very best friend walked in through the porch
screen door into the kitchen. "Oh God, it's
absolutely maudlin outside."
"Ugh, I know what you mean, I feel all icky." Marsha
tightened the belt on her cotton robe with the silk
outer edge. Sheila ran her finger over some salt
grains on the kitchen table, licked her finger and
made a face.
"I'm supposed to be taking these salt pills, but," she
wrinkled her nose, "they make me feel like throwing
up."
Marsha started to pat herself under the chin, an
exercise she'd seen on television. "God, don't even
talk about that." She got up from the table and went
to the sink where she picked up a bottle of pink and
blue vitamins. "Want one? Supposed to be better than
steak." And attempted to touch her knees. "I don't
think I'll ever touch a daiquiri again." She gave up
and sat down, this time nearer the small table that
supported the telephone. "Maybe Bill'll call," she
said to Sheila's glance.
Sheila nibbled on a cuticle. "After last night, I
thought maybe you'd be through with him."
"I know what you mean. My God, he was like an
octopus. Hands all over the place." She gestured,
raising her arms upward in defense. "The thing is
after a while, you get tired of fighting with him, you
know, and after all he didn't really do anything
Friday and Saturday so I kind of owed it to him, you
know what I mean." She started to scratch. Sheila
was giggling with her hand over her mouth. "I'll tell
you, I felt the same way, and even after a while," she
bent forward in a whisper, "I wanted to," and now she
was laughing very loudly.

It was at this point that Mr. Jameson of the Clarence
Darrow Post Office rang the door bell of the large
stucco colored frame house. When Marsha Bronson
opened the door, he helped her carry the package in.
He had his yellow and his green slips of paper signed
and left with a fifteen-cent tip that Marsha had
gotten out of her mothers small beige pocket book in
the den. "What do you think it is?" Sheila asked.
Marsha stood with her arms folded behind her back. S
he stared at the brown cardboard carton that sat in
the middle of the living room. "I don't know."

Inside the package Waldo quivered with excitement as
he listened to the muffled voices. Sheila ran her
fingernail over the masking tape that ran down the
center of the carton. "Why don't you look at the
return address and see who it is from?" Waldo felt
his heart beating. He could feel the vibrating
footsteps. It would be soon.

Marsha walked around the carton and read the
ink-scratched label. "Ugh, God, it's from Waldo!"
"That schmuck," said Sheila. Waldo trembled with
expectation. "Well, you might as well open it," said
Sheila. Both of them tried to lift the stapled flap.

"Ahh, shit," said Marsha groaning. "He must have
nailed it shut." They tugged at the flap again. "My
God, you need a power drill to get this thing opened."
They pulled again. "You can't get a grip!" They
both stood still, breathing heavily.
"Why don't you get the scissors," said Sheila. Marsha
ran into the kitchen, but all she could find was a
little sewing scissor. Then she remembered that her
father kept a collection of tools in the basement.
She ran downstairs and when she came back, she had a
large sheet-metal cutter in her hand.
"This is the best I could find." She was very out of
breath. "Here, you do it. I'm gonna die." She sank
into a large fluffy couch and exhaled noisily.
Sheila tried to make a slit between the masking tape
and the end of the cardboard, but the blade was too
big and there wasn't enough room. "Godamn this
thing!" she said feeling very exasperated. Then,
smiling, "I got an idea."
"What?" said Marsha.
"Just watch," said Sheila touching her finger to her
head.

Inside the package, Waldo was so transfixed with
excitement that he could barely breathe. His skin
felt prickly from the heat and he could feel his heart
beating in his throat. It would be soon. Sheila
stood quite upright and walked around to the other
side of the package. Then she sank down to her knees,
grasped the cutter by both handles, took a deep breath
and plunged the long blade through the middle of the
package, through the middle of the masking tape,
through the cardboard, through the cushioning and
(thud) right through the center of Waldo Jeffers head,
which split slightly and caused little rhythmic arcs
of red to pulsate gently in the morning sun

Jenny said, when she was just five years old
There was nothin' happening at all
Every time she puts on the radio
There was nothin' goin' down at all, not at all
Then, one fine mornin', she puts on a New York station
You know, she couldn't believe what she heard at all
She started shakin' to that fine, fine music
You know, her life was saved by rock'n'roll

Despite all the imputations
You know, you could just go out
And dance to a rock'n'roll station
And it was all right, hey baby,
You know, it was all right

Jenny said, when she was just about five years old
`You know, my parents are gonna be the death of us all
Two TV sets and two Cadillac cars
Well, you know, ain't gonna help me at all`

Then, one fine morning, she turns on a New York station
LyricsShe doesn't believe what she hears at all
Ooh, she started dancin' to that fine, fine music
You know, her life was saved by rock'n'roll
Yeah, rock'n'roll

Despite all the computations
You could just dance to that rock'n'roll station
And baby, it was all right, yeah
Hey, it was all right
Hey, here she comes now

Jenny said, when she was just about five years old
'Hey, you know, there's nothin' happening at all, not at all
Every time I put on the radio
You know, there's nothin' goin' down at all, not at all
But, one fine morning, she hears a New York station
She couldn't believe what she heard at all, hey, not at all
She started dancing to that fine, fine music
You know, her life was saved by rock'n'roll
Yes, rock'n'roll

Despite all the computations
You know, you could just dance to the rock'n'roll station

All right
All right, all right, and it was all right
Oh, listen to me now, it was all right
Come on now, believe me, it was all right
it was all right
Hey, it's all right now,.......

I'm waiting for my man
Twenty-six dollars in my hand
Up to Lexington, 125
Feel sick and dirty, more dead than alive
I'm waiting for my man
Hey, white boy, what you doin' uptown?
Hey, white boy, you chasin' our women around?
Oh pardon me sir, it's the furthest from my mind
I'm just lookin' for a dear, dear friend of mine
I'm waiting for my man
Here he comes, he's all dressed in black
Beat up shoes and a big straw hat
He's never early, he's always late
First thing you learn is you always gotta wait I'm waiting for my man
Up to a Brownstone, up three flights of stairs
Everybody's pinned you, but nobody cares
He's got the works, gives you sweet taste
Ah then you gotta split because you got no time to waste
I'm waiting for my man
Baby don't you holler, darlin' don't you bawl and shout
I'm feeling good, you know I'm gonna work it on out
I'm feeling good, I'm feeling oh so fine
Until tomorrow, but that's just some other time
I'm waiting for my man

I don't know just where I'm going
But I'm gonna try for the kingdom, if I can
'Cause it makes me feel like I'm a man
When I put a spike into my vein
And I'll tell ya, things aren't quite the same
When I'm rushing on my run
And I feel just like Jesus' son
And I guess that I just don't know
And I guess that I just don't know
I have made the big decision
I'm gonna try to nullify my life
'Cause when the blood begins to flow
When it shoots up the dropper's neck
When I'm closing in on death
And you can't help me now, you guys
And all you sweet girls with all your sweet talk
You can all go take a walk
And I guess that I just don't know
And I guess that I just don't know
I wish that I was born a thousand years ago
I wish that I'd sail the darkened seas
LyricsOn a great big clipper ship
Going from this land here to that
In a sailor's suit and cap
Away from the big city
Where a man can not be free
Of all of the evils of this town
And of himself, and those around
Oh, and I guess that I just don't know
Oh, and I guess that I just don't know
Heroin, be the death of me
Heroin, it's my wife and it's my life
Because a mainer to my vein
Leads to a center in my head
And then I'm better off and dead
Because when the smack begins to flow
I really don't care anymore
About all the Jim-Jim's in this town
And all the politicians makin' crazy sounds
And everybody puttin' everybody else down
And all the dead bodies piled up in mounds
'Cause when the smack begins to flow
Then I really don't care anymore
Ah, when the heroin is in my blood
And that blood is in my head
Then thank God that I'm as good as dead
Then thank your God that I'm not aware
And thank God that I just don't care
And I guess I just don't know
And I guess I just don't know

Sometimes I feel so happy,
Sometimes I feel so sad.
Sometimes I feel so happy,
But mostly you just make me mad.
Baby, you just make me mad.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

Thought of you as my mountain top,
Thought of you as my peak.
Thought of you as everything,
I've had but couldn't keep.
I've had but couldn't keep.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

If I could make the world as pure and strange as what I see,
I'd put you in the mirror,
I put in front of me.
I put in front of me.
Linger on, your pale blue eyes.
LyricsLinger on, your pale blue eyes.

Skip a life completely.
Stuff it in a cup.
She said, Money is like us in time,
It lies, but can't stand up.
Down for you is up."
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

It was good what we did yesterday.
And I'd do it once again.
The fact that you are married,
Only proves, you're my best friend.
But it's truly, truly a sin.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

We're gonna have a real good time together
We're gonna have a real good time together
We're gonna have a real good time together
We're gonna laugh and dance and shout together

Na, na, na, na, na, na, na, na, na, na, na
Na, na, na, na, na, na, na, na, na, na, na

We're gonna have a real good time together
We're gonna have a real good time together
We're gonna have a real good time together
We're gonna laugh and dance and shout together

Na, na, na, na, na, na, na, na, na, na, na
Na, na, na, na, na, na, na, na, na, na, na

Na, na, na, na, na, na, na, na, na, na, na
Na, na, na, na, na, na, na, na, na, na, na
Na, na, na, na, na, na, na, na, na, na, na
Na, na, na, na, na, na, na, na, na, na, na


Na, na, na, na, na, na, na, na, na, na, na
Yeah, yeah, wooh

Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Comes in bells, your servant, don't forsake him
Strike, dear mistress, and cure his heart
Downy sins of streetlight fancies
Chase the costumes she shall wear
Ermine furs adorn the imperious
Severin, Severin awaits you there
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Kiss the boot of shiny, shiny leather
Shiny leather in the dark
Tongue of thongs, the belt that does await you
Strike, dear mistress, and cure his heart
Severin, Severin, speak so slightly
Severin, down on your bended knee
Taste the whip, in love not given lightly
Taste the whip, now plead for me
I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart

I got fever in my pocket
You know I gotta move
Hey babe, I guess I'm falling in love

I got fever in my pocket
Down to my shoes
Oh babe, I guess I'm falling in love

I got in my pocket, hey babe
Everything that I can have
I've got thing in my ?loveline?
It's gonna work out fine
It's gonna be allright

I gotta move
You got yours on your side
Hey now babe, I guess I'm falling in love

I got fever in my pocket
Down to my shoes
Oh babe, I guess I'm falling in love

You'd better move it on sweet babe
Hey on down to your shoes
Things they're right, mama
You know it'll work out fine
Hey you gotta lose

Got hand in my pocket
You know it work also(?)
Oh babe, I guess I'm falling in love
I've got ankles in my breasts
I find it's hard to lose
Oh babe, guess I'm falling in love
Oh babe, guess I'm falling in love
Oh babe, guess I'm falling in love

1-2-3
If you close the door, the night could last forever
Keep the sunshine out and say hello to never
All the people are dancing and they're havin such fun
I wish it could happen to me
But if you close the door, I'd never have to see the day again.

If you close the door, the night could last forever,
Leave the wineglass out and drink a toast to never
Oh, someday I know someone will look into my eyes
And say hello -- you're my very special one--
But if you close the door, I'd never have to see the day again.

Dark cloudy bars
Shiny Cadillac cars
And the people on subways and trains
Looking gray in the rain as they stand disarrayed
All the people look well in the dark
And if you close the door, the night could last forever.
Leave the sunshine out and say hello to never
All the people are dancing and they're having such fun
I wish it could happen to me
'Cause if you close the door, I'd never have to see the day again.
I'd never have to see the day again.
(once more)
I'd never have to see the day again.

And what costume shall the poor girl wear
To all tomorrow's parties
A hand-me-down dress from who knows where
To all tomorrow's parties
And where will she go and what shall she do
When midnight comes around
She'll turn once more to Sunday's clown
And cry behind the door
And what costume shall the poor girl wear
To all tomorrow's parties
Why silks and linens of yesterday's gowns
To all tomorrow's parties
And what will she do with Thursday's rags When Monday comes around
She'll turn once more to Sunday's clown
And cry behind the door
And what costume shall the poor girl wear
To all tomorrow's parties
For Thursday's child is Sunday's clown
For whom none will go mourning
A blackened shroud, a hand-me-down gown
Of rags and silks, a costume
Fit for one who sits and cries
For all tomorrow's parties

Some kinds of love
Marguerita told Tom
Between thought and expression lies a lifetime
Situations arise because of the weather
and no kinds of love
are better than others

Some kinds of love
Margueirta told Tom
like a dirty French novel
the absured courts the vulgar
and some kinds of love
the possibilites are endless
and for me to miss one
would seem to be groundless

I head what you said
Margueritat told Tom
And of course you're a bore
But at that you're not charmless
for a bore is a straight line
Lyricsthat finds a wealth in division
and some kinds of love
are mistaken for vision

Put jelly on your shoulder
Let us do what you fear most
That from which you recoil
but which still makes your eyes moist

Put jelly on your shoulder
lie down upon the carpet
between thought and expression
let us now kiss the culprit

I don't know just what it's all about
Put on your red pajamas and find out.

I'll be your mirror
Reflect what you are, in case you don't know
I'll be the wind, the rain and the sunset
The light on your door to show that you're home
When you think the night has seen your mind
That inside you're twisted and unkind
Let me stand to show that you are blind
Please put down your hands
'Cause I see you
I find it hard to believe you don't know
The beauty that you are
But if you don't let me be your eyes
A hand in your darkness, so you won't be afraid
When you think the night has seen your mind
That inside you're twisted and unkind
Let me stand to show that you are blind
Please put down your hands
'Cause I see you
I'll be your mirror

Well, I'm beginning to see the light.
Well, I'm beginning to see the light.
Some people work very hard,
but still they never get it right.
Well, I'm beginning to see the light.

I wanna tell all you people, now.
Now, now, baby, I'm beginning to see the light.
Hey, now, baby, I'm beginning to see the light.

Wine in the mornin', and some breakfast at night.
Well, I'm beginning to see the light.

Here we go again, playing the fool again.
Here we go again, acting hard again.
All right!
Well, I'm beginning to see the light!
I wanna tell you, ooh-oh-oh!
Hey, now, baby, I'm beginning to see the light!
It comes very softly now.
I wore my teeth in my hands so I could miss the hell of a night.
LyricsHey! Well, I'm beginning to see the light!
Now, now, now, now, now, now, now, now, now, baby,
I'm beginning to see the light, now!
It comes softer!
Hey, now, baby, I'm beginning to see the light.

I met myself in a dream, and I just want to tell you,
Everything was alright.
Hey, now, baby, I'm beginning to see the light.

Here comes two of you.
Which one will you choose?
One is black and one is blue,
Don't know just, what to do.
Alright!

Well, I'm beginning to see the light, oh, now, here she comes!
Hey, yeah, baby, I'm beginning to see the light!
Oh-ahhhh!
Some people work very hard,
But still they never get it right.
Well, I'm begiing to see the light.
Ah, it's getting a little softer, maybe, in there.
Now, now, baby, I'm beginning to see the light.
Ah, it's coming around again,
Hey, now, now, now, baby, I'm beginning to see the light.
One more time.
There are problems in these times,
But, woo!, none of them are mine!
Oh, baby, I'm beginning to see the light.

Here we go again,
I thought that you were my friend.
Here we go again,
I thought that you were my friend.
How does it feel, to be loved?
How does it feel, to be loved?

Waldo Jeffers had reached his limit.
It was now mid-August which meant that he had been separated from Marsha for more than two months.
Two months, and all he had to show were three dog-eared letters and two very expensive long-distance phone calls.
True, when school had ended and she'd returned to Wisconsin and he to Locust, Pennsylvania she had sworn to maintain a certain fidelity.
She would date occasionally, but merely as amusement.
She would remain faithful. But lately Waldo had begun to worry.
He had trouble sleeping at night and when he did, he had horrible dreams.
He lay awake at night, tossing and turning underneath his printed quilt protector, tears welling in his eyes,
As he pictured Marsha, her sworn vows overcome by liquor and the smooth soothings of some Neanderthal,
Finally submitting to the final caresses of sexual oblivion. It was more than the human mind could bear.

Visions of Marsha's faithlessness haunted him.
Daytime fantasies of sexual abandon permeated his thoughts.
And the thing was, they wouldn't understand who she really was.
He, Waldo, alone, understood this.
He had intuitively grasped every nook and cranny of her psyche.
He had made her smile, and she needed him, and he wasn't there. (Awww.)
The idea came to him on the Thursday before the Mummers Parade was scheduled to appear.
He had just finished mowing and edging the Edelsons lawn for a dollar-fifty
And had checked the mailbox to see if there was at least a word from Marsha.
There was nothing more than a circular form the Amalgamated Aluminum Company of America inquiring into his awning needs.
LyricsAt least they cared enough to write.

It was a New York company. You could go anywhere in
the mails. Then it struck him: he didn't have enough
money to go to Wisconsin in the accepted fashion,
true, but why not mail himself? It was absurdly
simple. He would ship himself parcel post special
delivery. The next day Waldo went to the supermarket
to purchase the necessary equipment. He bought
masking tape, a staple gun and a medium sized
cardboard box, just right for a person of his build.
He judged that with a minimum of jostling he could
ride quite comfortably. A few airholes, some water, a
selection of midnight snacks, and it would probably be
as good as going tourist.

By Friday afternoon, Waldo was set. He was thoroughly
packed and the post office had agreed to pick him up
at three o'clock. He'd marked the package "FRAGILE"
and as he sat curled up inside, resting in the foam
rubber cushioning he'd thoughtfully included, he tried
to picture the look of awe and happiness on Marsha's
face as she opened the door, saw the package, tipped
the deliverer, and then opened it to see her Waldo
finally there in person. She would kiss him, and then
maybe they could see a movie. If he'd only thought of
this before. Suddenly rough hands gripped his package
and he felt himself borne up. He landed with a thud
in a truck and then he was off.

Marsha Bronson had just finished setting her hair. It
had been a very rough weekend. She had to remember
not to drink like that. Bill had been nice about it
though. After it was over he'd said that he still
respected her and, after all, it was certainly the way
of nature and even though no, he didn't love her, he
did feel an affection for her. And after all, they
were grown adults. Oh, what Bill could teach Waldo --
but that seemed many years ago. Sheila Klein, her
very, very best friend walked in through the porch
screen door into the kitchen. "Oh God, it's
absolutely maudlin outside."
"Ugh, I know what you mean, I feel all icky." Marsha
tightened the belt on her cotton robe with the silk
outer edge. Sheila ran her finger over some salt
grains on the kitchen table, licked her finger and
made a face.
"I'm supposed to be taking these salt pills, but," she
wrinkled her nose, "they make me feel like throwing
up."
Marsha started to pat herself under the chin, an
exercise she'd seen on television. "God, don't even
talk about that." She got up from the table and went
to the sink where she picked up a bottle of pink and
blue vitamins. "Want one? Supposed to be better than
steak." And attempted to touch her knees. "I don't
think I'll ever touch a daiquiri again." She gave up
and sat down, this time nearer the small table that
supported the telephone. "Maybe Bill'll call," she
said to Sheila's glance.
Sheila nibbled on a cuticle. "After last night, I
thought maybe you'd be through with him."
"I know what you mean. My God, he was like an
octopus. Hands all over the place." She gestured,
raising her arms upward in defense. "The thing is
after a while, you get tired of fighting with him, you
know, and after all he didn't really do anything
Friday and Saturday so I kind of owed it to him, you
know what I mean." She started to scratch. Sheila
was giggling with her hand over her mouth. "I'll tell
you, I felt the same way, and even after a while," she
bent forward in a whisper, "I wanted to," and now she
was laughing very loudly.

It was at this point that Mr. Jameson of the Clarence
Darrow Post Office rang the door bell of the large
stucco colored frame house. When Marsha Bronson
opened the door, he helped her carry the package in.
He had his yellow and his green slips of paper signed
and left with a fifteen-cent tip that Marsha had
gotten out of her mothers small beige pocket book in
the den. "What do you think it is?" Sheila asked.
Marsha stood with her arms folded behind her back. S
he stared at the brown cardboard carton that sat in
the middle of the living room. "I don't know."

Inside the package Waldo quivered with excitement as
he listened to the muffled voices. Sheila ran her
fingernail over the masking tape that ran down the
center of the carton. "Why don't you look at the
return address and see who it is from?" Waldo felt
his heart beating. He could feel the vibrating
footsteps. It would be soon.

Marsha walked around the carton and read the
ink-scratched label. "Ugh, God, it's from Waldo!"
"That schmuck," said Sheila. Waldo trembled with
expectation. "Well, you might as well open it," said
Sheila. Both of them tried to lift the stapled flap.

"Ahh, shit," said Marsha groaning. "He must have
nailed it shut." They tugged at the flap again. "My
God, you need a power drill to get this thing opened."
They pulled again. "You can't get a grip!" They
both stood still, breathing heavily.
"Why don't you get the scissors," said Sheila. Marsha
ran into the kitchen, but all she could find was a
little sewing scissor. Then she remembered that her
father kept a collection of tools in the basement.
She ran downstairs and when she came back, she had a
large sheet-metal cutter in her hand.
"This is the best I could find." She was very out of
breath. "Here, you do it. I'm gonna die." She sank
into a large fluffy couch and exhaled noisily.
Sheila tried to make a slit between the masking tape
and the end of the cardboard, but the blade was too
big and there wasn't enough room. "Godamn this
thing!" she said feeling very exasperated. Then,
smiling, "I got an idea."
"What?" said Marsha.
"Just watch," said Sheila touching her finger to her
head.

Inside the package, Waldo was so transfixed with
excitement that he could barely breathe. His skin
felt prickly from the heat and he could feel his heart
beating in his throat. It would be soon. Sheila
stood quite upright and walked around to the other
side of the package. Then she sank down to her knees,
grasped the cutter by both handles, took a deep breath
and plunged the long blade through the middle of the
package, through the middle of the masking tape,
through the cardboard, through the cushioning and
(thud) right through the center of Waldo Jeffers head,
which split slightly and caused little rhythmic arcs
of red to pulsate gently in the morning sun

Here she comes now, now
Gone, gone, gone
Ready, ready, ready, ready, ready
Got my eyes wide open

Ever since I was on cripples Monday
Got my eyeballs on my knees, Aww my baby walkin'
After hours with Mad Mary Williams
Said she never understood a word from me, because...

I know that she cares about me
I heard her call my name
And I know that she's long dead and gone
Still she ain't the same
When I wake up in the morning mama
I heard her call my name
I know that she's gone, gone, gone
I heard her call my name
And then my mind split open...

Here she comes, you better watch your step
She's going to break your heart in two, it's true It's not hard to realize
Just look into her false colored eyes
She builds you up to just put you down, what a clown
'Cause everybody knows (She's a femme fatale)
The things she does to please (She's a femme fatale)
She's just a little tease (She's a femme fatale)
See the way she walks
Hear the way she talks
You're put down in her book
You're number 37, have a look
She's going to smile to make you frown, what a clown
Little boy, she's from the street
Before you start, you're already beat
She's gonna play you for a fool, yes it's true
'Cause everybody knows (She's a femme fatale)
The things she does to please (She's a femme fatale)
She's just a little tease (She's a femme fatale)
See the way she walks Hear the way she talks

Three, four

Hey Mr. Rain
Ain't you follow me down

Hey Mr. Rain
Ain't you follow me down
I've been working baby Oh! so hard
Stayin up in the sky

Hey Mr. Rain
Ain't you follow me down

Hey Mr. Rain
Ain't you come on down
I've been working baby Oh! so hard
Stayin up in the sky

Hey Mr. Rain
Ain't you going from down
Hey Mr. Rain
LyricsWon't you follow me down
I've been working baby Oh! so hard
Stayin up in the sky

Hey Mr. Rain
Won't you follow me down
Hey Mr. Rain
Ain't you follow me down

Hey Mr. Rain
Ain't you follow me down
I've been working baby Oh! so hard
Stayin up in the sky

Standin' on a corner
Suitcase in my hand
Jack's in his corset, Jane is in her vest
and me I'm in a rock 'n' roll band. Huh.
Riding a Stutz Bear Cat, Jim
ya know, those were different times
all the poets studied rules of verse
and those ladies they rolled their eyes
Sweet Jane
Sweet Jane
Sweet Jane
Now Jack, he is a banker
and Jane, she's a clerk
and both of them save their monies
when they get home from work
sittin downby the fire
Ooo, the radio does play
the classical music there, Jim
The March of the Wooden Soldiers
All you protest kids
you can hear Jack say
LyricsSweet Jane
Sweet Jane
Sweet Jane
Some people they like to go out dancin
and other people they have to work. Just watch me now
and there's even some evil mothers
Well there gonna tell you that everthing is just dirt
you know that women never really faint
and that villians always blink their eyes
that children are the only ones who blush
and that life is just to die
But anyone who ever had a heart
they wouldn't turn around and break it
and anyone who ever played a part
They wouldn't turn around and hate it
Sweet Jane, Sweet Sweet Jane

We're The Velvet Underground and we have come to play
It's been 28 years since we've been here to the day

There's Maureen, she's on the drums, she's havin' lot of fun
Let's hear it for Moe tucker, beat those skins for everyone

There is Sterling Morrison, he's playing the guitar
He's a guitar hero, kicks their asses really far

Now you got here John and me
Now you got here John and me, we want no part of this
That's because we think it is real pretentious shit

White light, go on messing up my mind
Don't you know it's gonna make me go blind?
White heat, it tickles me down to my toes
Have mercy, white light, have it, goodness knows

White light, go on messing up my brain
White light, it's gonna drive me insane
White heat, it tickles me down to my toes
White light I said now, goodness knows, do it

I surely do love to watch that stuff shooting itself in
Watch that side, watch that side, don't you know, gonna be dead and bright
Yeah, foxy mama, watch her walking down the street
Come upside, your head's gonna make a dead end on your street

White light, move in me and drain my brain
White light gonna make you go insane
White heat, it tickles me down to my toes
White light, I said now, goodness knows

White light is lighting up my eyes
Don't you know it fills me up with surprise?
White heat, tickle me down to my toes
White light, I tell you now, goodness knows

Oh, she surely do move, speed
Watch that speed freak, watch that speed freak,
everybody gonna make it every week
Sputter mutter, everbody's gonna kill their mother
Here she comes, here she comes, everybody get it, gonna make me run, do it
Higher

I'm sticking with you
'Cos I'm made out of glue
Anything that you might do
I'm gonna do too

You held up a stagecoach in the rain
And I'm doing the same
So you're hanging from a tree
And I made believe it was me

I'm sticking with you
'Cos I'm made out of glue
Anything that you might do
I'm gonna do too

There're people going into the stratosphere
Soldiers fighting with the Cong
But with you by my side I can do anything
When we swing, babe, we hang past right and wrong

I'll do anything for you
Anything you want me too
I'll do anything for you
Oohoh I'm sticking with you
Oohoh I'm sticking with you
Oohoh I'm sticking with you

The myriad choices of his fate
Set themselves out upon a plate
For him to choose
What had he to lose
Not a ghost bloodied country
All covered with sleep
Where the black angel did weep
Not an old city street in the east
Gone to choose
And wandering's brother
Walked on through the night
With his hair in his face
On a long splintered cut from the knife of G.T.
The rally man's patter ran on through the dawn
Until we said so long
To his skull-shrill yell
Shining brightly red-rimmed and
Red-lined with the time
Infused with the choice of the mind
On ice skates scraping chunks
From the bells
LyricsCut mouth bleeding razor's
Forgetting the pain
Antiseptic remains cool goodbye
So you fly
To the cozy brown snow of the east
Gone to choose, choose again
Sacrificials remains make it hard to forget
Where you come from
The stools of your eyes
Serve to realize fame, choose again
And roverman's refrain of the sacrilege recluse
For the loss of a horse
Went the bowels and a tail of a rat
Come again, choose to go
And if Epiphany's terror reduced you to shame
Have your head bobbed and weaved
Choose a side to be on
If the stone glances off
Split didactics in two
Leave the colors of the mouse trails
Don't scream, try between
If you choose, if you choose, try to lose
For the loss of remain come and start
Start the game I che che che che I
Che che ka tak koh
Choose to choose
Choose to choose, choose to go

Jenny said, when she was just five years old
There was nothin' happening at all
Every time she puts on the radio
There was nothin' goin' down at all, not at all
Then, one fine mornin', she puts on a New York station
You know, she couldn't believe what she heard at all
She started shakin' to that fine, fine music
You know, her life was saved by rock'n'roll

Despite all the imputations
You know, you could just go out
And dance to a rock'n'roll station
And it was all right, hey baby,
You know, it was all right

Jenny said, when she was just about five years old
`You know, my parents are gonna be the death of us all
Two TV sets and two Cadillac cars
Well, you know, ain't gonna help me at all`

Then, one fine morning, she turns on a New York station
LyricsShe doesn't believe what she hears at all
Ooh, she started dancin' to that fine, fine music
You know, her life was saved by rock'n'roll
Yeah, rock'n'roll

Despite all the computations
You could just dance to that rock'n'roll station
And baby, it was all right, yeah
Hey, it was all right
Hey, here she comes now

Jenny said, when she was just about five years old
'Hey, you know, there's nothin' happening at all, not at all
Every time I put on the radio
You know, there's nothin' goin' down at all, not at all
But, one fine morning, she hears a New York station
She couldn't believe what she heard at all, hey, not at all
She started dancing to that fine, fine music
You know, her life was saved by rock'n'roll
Yes, rock'n'roll

Despite all the computations
You know, you could just dance to the rock'n'roll station

All right
All right, all right, and it was all right
Oh, listen to me now, it was all right
Come on now, believe me, it was all right
it was all right
Hey, it's all right now,.......

Before being a man
Livin' in a garbage pail
My landlady call me up
She tried to hit me with a mop

I can't stand it anymore more
I can't stand it anymore more
I can't stand it anymore more
But if Shelly she would just come back
It'll be allright
But if Shelly she would just come back
It'll be allright

I live with thirteen dead cats
A purple who hear spats
They're all livin in a hall
And I can't stand it anymore

I can't stand it anymore more
I can't stand it anymore more
I can't stand it anymore more
LyricsBut if Shelly she would just come back
It'll be allright
But if Shelly she would just come back
It'll be allright

Before being a man
Livin' in a garbage pail
My landlady call me up
She tried to hit me with a mop

I can't stand it anymore more
I can't stand it anymore more
I can't stand it anymore more
But if Shelly she would just come back
It'll be allright
But if Shelly she would just come back
It'll be allright
Be allright, be allright....

I'm waiting for my man
Twenty-six dollars in my hand
Up to Lexington, 125
Feel sick and dirty, more dead than alive
I'm waiting for my man
Hey, white boy, what you doin' uptown?
Hey, white boy, you chasin' our women around?
Oh pardon me sir, it's the furthest from my mind
I'm just lookin' for a dear, dear friend of mine
I'm waiting for my man
Here he comes, he's all dressed in black
Beat up shoes and a big straw hat
He's never early, he's always late
First thing you learn is you always gotta wait I'm waiting for my man
Up to a Brownstone, up three flights of stairs
Everybody's pinned you, but nobody cares
He's got the works, gives you sweet taste
Ah then you gotta split because you got no time to waste
I'm waiting for my man
Baby don't you holler, darlin' don't you bawl and shout
I'm feeling good, you know I'm gonna work it on out
I'm feeling good, I'm feeling oh so fine
Until tomorrow, but that's just some other time
I'm waiting for my man

I don't know just where I'm going
But I'm gonna try for the kingdom, if I can
'Cause it makes me feel like I'm a man
When I put a spike into my vein
And I'll tell ya, things aren't quite the same
When I'm rushing on my run
And I feel just like Jesus' son
And I guess that I just don't know
And I guess that I just don't know
I have made the big decision
I'm gonna try to nullify my life
'Cause when the blood begins to flow
When it shoots up the dropper's neck
When I'm closing in on death
And you can't help me now, you guys
And all you sweet girls with all your sweet talk
You can all go take a walk
And I guess that I just don't know
And I guess that I just don't know
I wish that I was born a thousand years ago
I wish that I'd sail the darkened seas
LyricsOn a great big clipper ship
Going from this land here to that
In a sailor's suit and cap
Away from the big city
Where a man can not be free
Of all of the evils of this town
And of himself, and those around
Oh, and I guess that I just don't know
Oh, and I guess that I just don't know
Heroin, be the death of me
Heroin, it's my wife and it's my life
Because a mainer to my vein
Leads to a center in my head
And then I'm better off and dead
Because when the smack begins to flow
I really don't care anymore
About all the Jim-Jim's in this town
And all the politicians makin' crazy sounds
And everybody puttin' everybody else down
And all the dead bodies piled up in mounds
'Cause when the smack begins to flow
Then I really don't care anymore
Ah, when the heroin is in my blood
And that blood is in my head
Then thank God that I'm as good as dead
Then thank your God that I'm not aware
And thank God that I just don't care
And I guess I just don't know
And I guess I just don't know

Sometimes I feel so happy,
Sometimes I feel so sad.
Sometimes I feel so happy,
But mostly you just make me mad.
Baby, you just make me mad.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

Thought of you as my mountain top,
Thought of you as my peak.
Thought of you as everything,
I've had but couldn't keep.
I've had but couldn't keep.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

If I could make the world as pure and strange as what I see,
I'd put you in the mirror,
I put in front of me.
I put in front of me.
Linger on, your pale blue eyes.
LyricsLinger on, your pale blue eyes.

Skip a life completely.
Stuff it in a cup.
She said, Money is like us in time,
It lies, but can't stand up.
Down for you is up."
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

It was good what we did yesterday.
And I'd do it once again.
The fact that you are married,
Only proves, you're my best friend.
But it's truly, truly a sin.
Linger on, your pale blue eyes.
Linger on, your pale blue eyes.

Coyote goes to the top of the hill
Doin' the things the coyote's will
Staring at the sky, at the moon
You know he starts to howl

Coyote goes to the mountain top
Looks over down at the river, says "what a drop"
No tame dogs is gonna take my bone

Coyote at the top of the hill
Doin' the things the coyote's will
You gotta cast the first stone
Cast the first stone

Jackal goes to the top of the hill
Doin' the things that jackal's will
Staring at the moon
You know he starts to howl

Wild dog up on mountain top
Blood in his jaws, the bone, he drops
No tame dogs is ever
Ever gonna take my bone

Jackal up on the top of the hill
Doin' the things that jackal's will
Cast the first stone
Cast the first stone

Coyote on top of the hill
Ooohhh, doin' the things the coyote's will
Staring at the sky, looks at the moon
He starts to howl

Coyote up on the mountain top
Blood in his jaws, the bone, he drops
Says no tame dogs is ever
Ever gonna take this bone

Coyote up on the mountain top
Says "what a drop"
You gotta cast the first stone
Cast the first stone
Cast the first stone
You gotta cast the first stone