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Simon & Garfunkel
Simon & Garfunkel


Background information
Origin Forest Hills, Queens, New York City, New Yotk, United States
Genre(s) Folk-Rock
World music
Soft Rock
Years active 1957—present
Label(s) Columbia Records
Website Website
Members
Paul Simon
Art Garfunkel



Music World  →  Lyrics  →  S  →  Simon & Garfunkel  →  Albums  →  The Essential Simon & Garfunkel

Simon & Garfunkel Album


The Essential Simon & Garfunkel (2003)
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. . .



I can hear the soft breathing
Of the girl that I love,
As she lies here beside me
Asleep with the night,
And her hair, in a fine mist
Floats on my pillow,
Reflecting the glow
Of the winter moonlight.
She is soft, she is warm,
But my heart remains heavy,
And I watch as her breasts
Gently rise, gently fall,
For I know with the first light of dawn
I'll be leaving,
And tonight will be
All I have left to recall.

Oh, what have I done,
Why have I done it,
I've committed a crime,
I've broken the law.
For twenty-five dollars
And pieces of silver,
I held up and robbed
A hard liquor store.

My life seems unreal,
My crime an illusion,
A scene badly written
In which I must play.
Yet I know as I gaze
At my young love beside me,
The morning is just a few hours away.

. . .



Fog's rollin' in off the East River bank
Like a shroud it covers Bleeker Street
Fills the alleys where men sleep
Hides the shepherd from the sheep
Voices leaking from a sad cafe
Smiling faces try to understand
I saw a shadow touch a shadow's hand
On Bleeker Street

A poet reads his crooked rhyme
Holy, holy is his sacrament
Thirty dollars pays your rent
On Bleeker Street

I head a church bell softly chime
In a melody sustainin'
It's a long road to Cainan
On Bleeker Street
Bleeker Street

. . .



Hello darkness, my old friend,
I've come to talk with you again,
Because a vision softly creeping,
Left its seeds while I was sleeping,
And the vision that was planted in my brain
Still remains
Within the sound of silence.
In restless dreams I walked alone
Narrow streets of cobblestone,
'Neath the halo of a street lamp,
I turned my collar to the cold and damp
When my eyes were stabbed by the flash of a neon light
That split the night
And touched the sound of silence.

And in the naked light I saw
Ten thousand people, maybe more.
People talking without speaking,
People hearing without listening,
People writing songs that voices never share
And no one dare
Disturb the sound of silence.

"Fools" said I, "You do not know
Silence like a cancer grows.
Hear my words that I might teach you,
Take my arms that I might reach you."
But my words like silent raindrops fell,
And echoed
In the wells of silence

And the people bowed and prayed
To the neon god they made.
And the sign flashed out its warning,
In the words that it was forming.
And the sign said, "The words of the prophets

are written on the subway walls
And tenement halls."
And whisper'd in the sounds of silence.

. . .



I was twenty-one years when I wrote this song.
I'm twenty-two now but I won't be for long
Time hurries on.
And the leaves that are green turn to brown,
And they wither with the wind,
And they crumble in your hand.
Once my heart was filled with the love of a girl.
I held her close, but she faded in the night
Like a poem I meant to write.
And the leaves that are green turn to brown,
And they wither with the wind,
And they crumble in your hand.

I threw a pebble in a brook
And watched the ripples run away
And they never made a sound.
And the leaves that are green turned to brown,
And they wither with the wind,
And they crumble in your hand.

Hello, Hello, Hello, Good-bye,
Good-bye, Good-bye, Good-bye,
That's all there is.
And the leaves that are green turned to brown,
And they wither with the wind,
And they crumble in your hand.

. . .



He was a most peculiar man.
That's what Mrs. Riordan said and she should know;
She lived upstairs from him
She said he was a most peculiar man.
He was a most peculiar man.
He lived all alone within a house,
Within a room, within himself,
A most peculiar man.

He had no friends, he seldom spoke
And no one in turn ever spoke to him,
'Cause he wasn't friendly and he didn't care
And he wasn't like them.
Oh, no! he was a most peculiar man.

He died last Saturday.
He turned on the gas and he went to sleep
With the windows closed so he'd never wake up
To his silent world and his tiny room;
And Mrs. Riordan says he has a brother somewhere
Who should be notified soon.
And all the people said, "What a shame that he's dead,
But wasn't he a most peculiar man?"

. . .



A winter's day
In a deep and dark December;
I am alone,
Gazing from my window to the streets below
On a freshly fallen silent shroud of snow.
I am a rock,
I am an island.
I've built walls,
A fortress deep and mighty,
That none may penetrate.
I have no need of friendship; friendship causes pain.
It's laughter and it's loving I disdain.
I am a rock,
I am an island.

Don't talk of love,
But I've heard the words before;
It's sleeping in my memory.
I won't disturb the slumber of feelings that have died.
If I never loved I never would have cried.
I am a rock,
I am an island.

I have my books
And my poetry to protect me;
I am shielded in my armor,
Hiding in my room, safe within my womb.
I touch no one and no one touches me.
I am a rock,
I am an island.

And a rock feels no pain;
And an island never cries.

. . .



They say that Richard Cory owns one half of this whole town,
With political connections to spread his wealth around.
Born into society, a banker's only child,
He had everything a man could want: power, grace, and style.
But I work in his factory
And I curse the life I'm living
And I curse my poverty
And I wish that I could be,
Oh, I wish that I could be,
Oh, I wish that I could be
Richard Cory.

The papers print his picture almost everywhere he goes:
Richard Cory at the opera, Richard Cory at a show.
And the rumor of his parties and the orgies on his yacht!
Oh, he surely must be happy with everything he's got.

But I work in his factory
And I curse the life I'm living
And I curse my poverty
And I wish that I could be,
Oh, I wish that I could be,
Oh, I wish that I could be
Richard Cory.

He freely gave to charity, he had the common touch,
And they were grateful for his patronage and thanked him very much,
So my mind was filled with wonder when the evening headlines read:
"Richard Cory went home last night and put a bullet through his head."

But I work in his factory
And I curse the life I'm living
And I curse my poverty
And I wish that I could be,
Oh, I wish that I could be,
Oh, I wish that I could be
Richard Cory.

. . .



I hear the drizzle of the rain
Like a memory it falls
Soft and warm continuing
Tapping on my roof and walls.
And from the shelter of my mind
Through the window of my eyes
I gaze beyond the rain-drenched streets
To England where my heart lies.

My mind's distracted and diffused
My thoughts are many miles away
They lie with you when you're asleep
And kiss you when you start your day.

And as a song I was writing is left undone
I don't know why I spend my time
Writing songs I can't believe
With words that tear and strain to rhyme.

And so you see I have come to doubt
All that I once held as true
I stand alone without beliefs
The only truth I know is you.

And as I watch the drops of rain
Weave their weary paths and die
I know that I am like the rain
There but for the grace of you go I.

. . .



Are you going to Scarborough Fair:
Parsley, sage, rosemary and thyme.
Remember me to one who lives there.
She once was a true love of mine.
On the side of a hill in the deep forest green.
Tracing of sparrow on snow-crested brown.
Blankets and bedclothes the child of the mountain
Sleeps unaware of the clarion call.

Tell her to make me a cambric shirt:
Parsley, sage, rosemary and thyme;
Without no seams nor needle work,
Then she'll be a true love of mine.

On the side of a hill a sprinkling of leaves.
Washes the grave with silvery tears.
A soldier cleans and polishes a gun.
Sleeps unaware of the clarion call.

Tell her to find me an acre of land:
Parsley, sage, rosemary and thyme;
Between the salt water and the sea strand,
Then she'll be a true love of mine.

War bellows blazing in scarlet battalions.
General order their soldiers to kill.
And to fight for a cause they've long ago forgotten.

Tell her to reap it with a sickle of leather:
Parsley, sage, rosemary and thyme;
And gather it all in a bunch of heather,
Then she'll be a true love of mine.

. . .



I'm sitting in the railway station.
Got a ticket to my destination.
On a tour of one-night stands my suitcase and guitar in hand.
And ev'ry stop is neatly planned for a poet and a one-man band.
Homeward bound,
I wish I was,
Homeward bound,
Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.
Ev'ry day's an endless stream
Of cigarettes and magazines.
And each town looks the same to me, the movies and the factories
And ev'ry stranger's face I see reminds me that I long to be,
Homeward bound,
I wish I was,
Homeward bound,
Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.

Tonight I'll sing my songs again,
I'll play the game and pretend.
But all my words come back to me in shades of mediocrity
Like emptiness in harmony I need someone to comfort me.
Homeward bound,
I wish I was,
Homeward bound,
Home where my thought's escaping,
Home where my music's playing,
Home where my love lies waiting
Silently for me.
Silently for me.

. . .



Who will love a little Sparrow?
Who's traveled far and cries for rest?
"Not I," said the Oak Tree,
"I won't share my branches with
no sparrow's nest,
And my blanket of leaves won't warm
her cold breast."
Who will love a little Sparrow
And who will speak a kindly word?
"Not I," said the Swan,
"The entire idea is utterly absurd,
I'd be laughed at and scorned if the
other Swans heard."

Who will take pity in his heart,
And who will feed a starving sparrow?
"Not I," said the Golden Wheat,
"I would if I could but I cannot I know,
I need all my grain to prosper and grow."

Who will love a little Sparrow?
Will no one write her eulogy?
"I will," said the Earth,
"For all I've created returns unto me,
From dust were ye made and dust ye shall be."

. . .



Slow down, you move too fast.
You got to make the morning last.
Just kicking down the cobble stones.
Looking for fun and feelin' groovy.
Hello lamppost,
What cha knowing?
I've come to watch your flowers growing.
Ain't cha got no rhymes for me?
Doot-in' doo-doo,
Feelin' groovy.

Got no deeds to do,
No promises to keep.
I'm dappled and drowsy and ready to sleep.
Let the morning time drop all its petals on me.
Life, I love you,
All is groovy.

. . .



It's a still life water color,
Of a now late afternoon,
As the sun shines through the curtained lae
And shadows wash the room.
And we sit and drink our coffee
Couched in our indifference,
Like shells upon the shore
You can hear the ocean roar
In the dangling conversation
And the superficial sighs,
The borders of our lives.
And you read your Emily Dickinson,
And I my Robert Frost,
And we note our place with bookmarkers
That measure what we've lost.
Like a poem poorly written
We are verses out of rhythm,
Couplets out of rhyme,
In syncopated time
And the dangled conversation
And the superficial sighs,
Are the borders of our lives.

Yes, we speak of things that matter,
With words that must be said,
"Can analysis be worthwhile?"
"Is the theater really dead?"
And how the room is softly faded
And I only kiss your shadow,
I cannot feel your hand,
You're a stranger now unto me
Lost in the dangling conversation.
And the superficial sighs,
In the borders of our lives.

. . .



The last train is nearly due,
The underground is closing soon,
And in the dark deserted station,
Restless in anticipation,
A man waits in the shadows.
His restless eyes leap and scratch,
At all that they can touch or catch,
And hidden deep within his pocket,
Safe within its silent socket,
He holds a colored crayon.

Now from the tunnel's stony womb,
The carriage rides to meet the groom,
And opens wide and welcome doors,
But he hesitates, then withdraws
Deeper in the shadows.

And the train is gone suddenly
On wheels clicking silently
Like a gently tapping litany,
And he holds his crayon rosary
Tighter in his hand.

Now from his pocket quick he flashes,
The crayon on the wall he slashes,
Deep upon the advertising,
A single worded poem comprised
Of four letters.

And his heart is laughing, screaming, pounding
The poem across the tracks rebounding
Shadowed by the exit light
His legs take their ascending flight
To seek the breast of darkness and be suckled by the night.

. . .


Words & music by Paul Simon

Time, time, time, see what's become of me
While I looked around for my possibilities.
I was so hard to please.
but look around
Leaves are brown
And the sky is a hazy shade of winter.

Hear the Salvation Army band.
Down by the riverside,
It's bound to be a better ride
Than what you've got planned.

Carry your cup in your hand.
And look around,
Leaves are brown,
And the sky is a hazy shade of winter.

Hang on to your hopes, my friend.
That's an easy thing to say
But if your hopes should pass away
Simply pretend that you can build them again.
Look around
The grass is high
The fields are ripe
It's the springtime of my life.

Seasons change with the scenery;
Weaving time in a tapestry.
Won't you stop and remember me
At any convenient time?
Funny how my memory skips
While looking over manuscripts
Of unpublished rhyme.

Drinking my vodka and lime,
I look around
Leaves are brown now
And the sky is a hazy shade of winter.
Look around
Leaves are brown
There's a patch of snow on the ground

. . .


Words & music by Paul Simon

Someone told me
It's all happening at the zoo.
I do believe it
I do believe it's true.

Hum Hum Hum Hum
It's a light and tumble journey
From the East Side to the park
Just a fine and fancy ramble
To the zoo.

But you can take the crosstown bus
If it's raining or it's cold
And the animals will love it
If you do.
If you do.
Oo... Oo...

Somethin' tells me
It's all happening at the zoo.

I do believe it,
I do believe it's true.
Hum Hum Hum Hum

The monkeys stand for honesty,
Giraffes are insincere,
And the elephants are kindly but
They're dumb.
Orangutans are skeptical
Of changes in their cages
And the zookeeper is very fond of rum.

Zebras are re-actionaries
Antelopes are missionaries
Pigeons plot in secrecy
And hamsters turn on frequently.
What a gas! You gotta come and see
At the zoo.
At the zoo.

. . .



And here's to you, Mrs. Robinson
Jesus loves you more than you will know (Wo, wo, wo)
God bless you please, Mrs. Robinson
Heaven holds a place for those who pray
(Hey, hey, hey...hey, hey, hey)
We'd like to know a little bit about you for our files
We'd like to help you learn to help yourself
Look around you, all you see are sympathetic eyes
Stroll around the grounds until you feel at home

And here's to you, Mrs. Robinson
Jesus loves you more than you will know (Wo, wo, wo)
God bless you please, Mrs. Robinson
Heaven holds a place for those who pray
(Hey, hey, hey...hey, hey, hey)

Hide it in a hiding place where no one ever goes
Put it in your pantry with your cupcakes
It's a little secret, just the Robinsons' affair
Most of all, you've got to hide it from the kids

Coo, coo, ca-choo, Mrs Robinson
Jesus loves you more than you will know (Wo, wo, wo)
God bless you please, Mrs. Robinson
Heaven holds a place for those who pray
(Hey, hey, hey...hey, hey, hey)

Sitting on a sofa on a Sunday afternoon
Going to the candidates debate
Laugh about it, shout about it
When you've got to choose
Ev'ry way you look at it, you lose

Where have you gone, Joe DiMaggio
A nation turns its lonely eyes to you (Woo, woo, woo)
What's that you say, Mrs. Robinson
Joltin' Joe has left and gone away
(Hey, hey, hey...hey, hey, hey)

. . .


Words & music by Paul Simon

When she goes, she's gone.
If she stays, she stays here.
The girl does what she wants to do.
She knows what she wants to do.
And I know I'm fakin' it
I'm not really makin' it.

I'm such a dubious soul,
And a walk in the garden
Wears me down.
Tangled in the fallen vines
Pickin' up the punch lines
I've just been fakin' it
Not really makin' it.

Is there any danger?
No, no, not not really.
Just lean on me.
Takin' time to treat
Your friendly neighbors honestly.
I've just been fakin' it, fakin' it
Not really makin' it.
This feeling of fakin' it
I still haven't shaken it.

Prior to this lifetime
I surely was a tailor
Look at me...

("Good moming, Mr Leitch.
Have you had a busy day?")

I own the tailor's face and hands.
I am the tailor's face and hands
I know I'm fakin' it, fakin' it
I'm not really makin' it.
This feeling of fakin' it
I still haven't shaken it.
I know I'm fakin' it,
I'm not really makin' it.

. . .


Words & music by Paul Simon

Old friends,
Old friends
Sat on their park bench
Like bookends.
A newspaper blown though the grass
Falls on the round toes
Of the high shoes
Of the old friends.


Old friends,
Winter companions,
The old men
Lost in their overcoats,
Waiting for the sunset.
The sounds of the city,
Sifting through trees,
Settle like dust
On the shoulders
Of the old friends.

Can you imagine us
Years from today,
Sharing a park bench quietly?
How terribly strange
To be seventy.
Old friends,
Memory brushes the same years
Silently sharing the same fears

. . .



"Let us be lovers we'll marry our fortunes together"
"I've got some real estate here in my bag"
So we bought a pack of cigarettes and Mrs. Wagner pies
And we walked off to look for America
"Kathy," I said as we boarded a Greyhound in Pittsburgh
"Michigan seems like a dream to me now"
It took me four days to hitchhike from Saginaw
I've gone to look for America

Laughing on the bus
Playing games with the faces
She said the man in the gabardine suit was a spy
I said "Be careful his bowtie is really a camera"

"Toss me a cigarette, I think there's one in my raincoat"
"We smoked the last one an hour ago"
So I looked at the scenery, she read her magazine
And the moon rose over an open field

"Kathy, I'm lost," I said, though I knew she was sleeping
I'm empty and aching and I don't know why
Counting the cars on the New Jersey Turnpike
They've all gone to look for America
All gone to look for America
All gone to look for America

. . .



Why don't we stop fooling ourselves?
The game is over,
Over,
Over.
No good times, no bad times,
There's no times at all,
Just The New York Times,
Sitting on the windowsill
Near the flowers.

We might as well be apart.
It hardly matters,
We sleep separately.

And drop a smile passing in the hall
But there's no laughs left
'Cause we laughed them all.
And we laughed them all
In a very short time.

Time
Is tapping on my forehead,
Hanging from my mirror,
Rattling the teacups,
And I wonder,
How long can I delay?
We're just a habit
Like saccharin.

And I'm habitually feelin' kinda blue.

But each time I try on
The thought of leaving you,
I stop...
I stop and think it over.

. . .



I'd rather be a sparrow than a snail.
Yes I would.
If I could,
I surely would.
I'd rather be a hammer than a nail.
Yes I would.
If I could,
I surely would.

CHORUS
Away, I'd rather sail away
Like a swan that's here and gone
A man grows older every day
It gives the world
Its saddest sound,
Its saddest sound.

I'd rather be a forest than a street.
Yes I would.
If I could,
I surely would.

I'd rather feel the earth beneath my feet,
Yes I would.
If I could,
I surely would.

CHORUS

. . .



When you're weary, feeling small,
When tears are in your eyes, I will dry them all;
I'm on your side. When times get rough
And friends just can't be found,
Like a bridge over troubled water
I will lay me down.
Like a bridge over troubled water
I will lay me down.
When you're down and out,
When you're on the street,
When evening falls so hard
I will comfort you.
I'll take your part.
When darkness comes
And pains is all around,
Like a bridge over troubled water
I will lay me down.
Like a bridge over troubled water
I will lay me down.

Sail on silvergirl,
Sail on by.
Your time has come to shine.
All your dreams are on their way.
See how they shine.
If you need a friend
I'm sailing right behind.
Like a bridge over troubled water
I will ease your mind.
Like a bridge over troubled water
I will ease your mind.

. . .



CHORUS
Cecilia, you're breaking my heart,
You're shaking my confidence daily.
Oh Cecilia, I'm down on m my knees,
I'm begging you please to come home.
Come on home
CHORUS

Making love in the afternoon with Cecilia
Up in my bedroom,
I got up to wash my face
When I come back to bed,
Someone's taken my place.

CHORUS

Jubilation,
She loves me again,
I fall on the floor and I laughing

Jubilation,
She loves me again,
I fall on the floor and I laughing.

. . .



Gee but it's great to be back home
Home is where I want to be.
I've been on the road so long my friend,
And if you came along
I know you couldn't disagree.
CHORUS
It's the same old story
Everywhere I go,
I get slandered,
Libeled,
I hear words I never heard
In the Bible
And I'm on step ahead of the shoe shine
Two steps away from the county line
Just trying to keep my customers satisfied,
Satisfied.

Deputy Sheriff said to me
Tell me what you come here for, boy.
You better get your bags and flee.
You're in trouble boy,
And you're heading into more.

CHORUS

. . .



So long, Frank Lloyd Wright.
I can't believe your song is gone so soon.
I barely learned the tune
So soon
So soon.
I'll remember Frank Lloyd Wright.
All of the nights we'd harmonize till dawn.
I never laughed so long
So long
So long.

CHORUS
Architects may come and
Aarchitects may go and
Never change your point of view.
When I run dry
I stop awhile and think of you

So long, Frank Lloyd Wright
All of the nights we'd harmonize till dawn.
I never laughed so long
So long
So long.

. . .



I am just a poor boy.
Though my story's seldom told,
I have squandered my resistance
For a pocketful of mumbles,
Such are ppromises
All lies and jest
Still, a man hears what he wants to hear
And disregards the rest.
When I left my home
And my family,
I was no more than a boy
In the company of strangers
In the quiet of the railway station,
Running scared,
Laying low,
Seeking out the poorer quarters
Where the ragged people go,
Looking for the places
Only they would know.

CHORUS
Lie-la-lie.....

Asking only workman's wages
I come looking for a job,
But I get no offers.
Just a come-on from the whores
On Seventh Avenue
I do declare,
There were times when I was so lonesome
I took some comfort there.

CHORUS

Then I'm laying out my winter clothes
And wishing I was gone
Going home
Where the New York City winters
Aren't bleeding me,
Leading me,
Going home.

In the clearing stands a boxer,
And a fighter by his trade
And he carries the reminders
Of ev'ry glove that laid him down
Or cut him till he cried out
In his anger and his shame,
"I am leaving, I am leaving."
But the fighter still remains

CHORUS

. . .



My daddy was the faamily bassman
My mamma was an engineer
And I was born one dark gray morn
With music coming in my ears
In my ears.
CHORUS
They call me Baby Driver
And once upon a pair of wheels
Hit the road and I'm gone ah
What's my number
I wonder how your engine feels
Ba ba ba ba
Scoot down the road
What's my number
I wonder how your engine feels.

My daddy was a prominent frogman
My mamma's in the Naval reserve
When I was young I carried a gun
But I never got the chance to serve
I did not serve.

CHORUS

My dadaddy got a big promotion
My mamma got a raise in pay
There's no-one home, we're all alone
Oh come int my room and play
Yes we can play.

I'm not talking about your pigtails
But I'm talking 'bout your sex appeal
Hit the road and I'm gone ah
What's my number
I wonder how your engine feels.
Ba ba ba ba
Scoot down the road
What's my number
I wonder how your engine feels.

. . .



Tom, get your plane right on time.
I know your part'll go fine.
Fly down to Mexico.
Da-n-da-da-n-da-n-da-da and here I am,
The only living boy in New York.
I get the news I need on the weather report.
I can gather all the news I need on the weather report.
Hey, I've got nothing to do today but smile.
Da-n-da-da-n-da-da-n-da-da here I am
The only living boy in New York

Half of the time we're gone but we don't know where,
And we don't know here.

Tom, get your plane right on time.
I know you've been eager to fly now.
Hey let your honesty shine, shine, shine
Da-n-da-da-n-da-da-n-da-da
Like it shines on me
The only living boy in New York,
The only living boy in New York.

. . .



Here is my song for the asking
Ask me and I will play
So sweetly, I'll make you smile
This is my tune for the taking
Take it, don't turn away
I've been waiting all my life

Thinking it over, I've been sad
Thinking it over, I'd be more than glad
To change my ways for the asking

Ask me and I will ply
All the love that I hold inside

. . .



What I dream I had:
Pressed in organdy;
Clothed in crinoline of smoky Burgundy;
Softer than the rain.
I wandered empty streets
Down past the shop displays.
I heard cathedral bells
Tripping down the alley ways,
As I walked on.
And when you ran to me
Your cheeks flushed with the night.
We walked on frosted fields of juniper and lamplight,
I held your hand.
And when I awoke and felt you warm and near,
I kissed your honey hair with my grateful tears.
Oh I love you, girl.
Oh, I love you.

. . .


Words & music by Paul Simon

In my little town
I grew up believing
God keeps His eye on us all
And He used to lean upon me
As I pledged allegiance to the wall
Lord I recall
My little town

Coming home after school
Flying my bike past the gates
Of the factories
My mom doing the laundry
Hanging our shirts
In the dirty breeze

And after it rains
There's a rainbow
And all of the colors are black
It's not that the colors aren't there
It's just imagin-ation they lack
Everything's the same
Back in my little town

Nothing but the dead and dying
Back in my little town
Nothing but the dead and dying
Back in my little town

In my little town
I never meant nothin'
I was just my fathers son
Saving my money
Dreaming of glory
Twitching like a finger
On the trigger of a gun
Leaving nothing but the dead and dying
Back in my little town

Repeat and fade:
Nothing but the dead and dying
Back in my little town

. . .


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